Seagull in flight, Antelope Island, Utah.

I’m in Utah for the Outdoor Photo Expo and had a chance to photography at Antelope Island before the expo.  While the opportunities were limited (three bison, two jackrabbits, and an interesting looking partridge in a pear tree……wait, wrong story) I did get a chance to photograph seagulls.  Sitting in my car on the causeway to Antelope Island, I watched of seagulls fly overhead, so I grabbed my 500mm IS lens and started creating images.

The above image is one of my favorites from the shoot.  The image was created using a Canon 1D mark 4, 500mm IS lens, at 200 ISO.

 

 

Written on August 5th, 2011 , Image of the Day

Male pronghorn standing on a hill as a storm approaches, Custer State Park, South Dakota.

Later this week I will be attending the Outdoor Photo Expo in Salt Lake City.  I try to attend one or two photography events each year and I always find it interest when other photographers ask me that age old question: Why?  Isn’t it expensive?  That’s too far to travel for a two day expo.  Do you learn anything?  It’s true, attending the expo is expensive.  The ticket is only a small part of the fee.  I also have to purchase plane tickets and the hotel costs are crazy.  Yet I am going.  Lets take a closer look at why I think attending photo events is worthwhile.

1. The biggest reason to attend a photo event is to learn.  For two days, I will listen to presentations on different aspects of photography, ranging from creativity to expedition videography.  I will also have the opportunity to hear two nature photography masters: Art Wolfe and Frans Lanting.  There is something for everyone at these events from the beginner to the seasoned pro and I am always amazed by the new ideas that I walk away with.

2. If education is the first reason to attend, inspiration comes in as a close second.  We all approach photography in our own way and it is a good idea to occasionally step back and see what others are doing.  Sure, I’m going to roll your eyes at some of it, but  I will also see something that I really want to try.  Also, don’t be afraid to see what non-wildlife photographers are doing.  Each branch of photography has its own conventions and looking outside of your own speciality can often get the ideas flowing.  We never know where inspiration will come from and one of the best ways to find something different is to look at areas outside your normal comfort zone.

3. Nature photography is socially isolating.  We spend a lot of time chasing critters in the field, only to return home and spend additional time in front of the computer.  My wife loves me very much, but when I start taking about my latest photographic adventures, her eyes start to glaze over.  Photo events provide an opportunity to interact with other photographers who appreciate the time and effort I put into my images.

4. I believe in supporting the photography community.  While photographers love to claim that they are self taught, it is almost never true.  Through the generosity of their time and knowledge, many photographers have contributed to make me the photographer I am today.  I strongly believe in providing that same support to the community by attending events and sharing my time and knowledge with others.

5. Finally, these events are fun.  I lived in Salt Lake City for three years and I look forward to revisiting the area, discussing photography, and even capturing a few pictures.

The pronghorn image above was captured in Custer State Park, South Dakota using a Canon 1D mark 2, 500mm IS lens, at 125 ISO.

 

 

 

 

Written on August 3rd, 2011 , Photography Information

Closeup of a bull moose in the mountains above Salt Lake City, Utah.

In a few days I will be heading to Salt Lake City to attend the Outdoor Photo Expo.  In anticipation, I started looking through some of my old photos from when I lived in the area.  This image of a bull moose was taken almost exactly 7 years ago (August 9th, 2004) and is historically important because it is the image that convinced me that my switch to digital was a good move.

The image was captured about 20 minutes after sunset with the light levels were falling fast.  I was shooting with another photographer who was using film.  Film locked her into a single ISO setting while my digital setup provided much needed flexibility as the light left the sky.  By the time we packed up, my ISO cranked up to 1000.  The end result was I went home with several pleasing images (it was the first time I had ever photographed a moose) while every one of my friend’s images were blurred.  It was a great way to drive home the digital advantage of adjustable ISO.

Ironically, at the time I was didn’t like the noise in the image, but I was willing to accept it.  Today, with the advances in image processing, I can remove almost all of the noise.  This is one case where the image has actually gotten better with time.  Who knows, maybe this next week I will have a chance to see this moose again.  I wonder how 12500 ISo will look.

The image was captured using a Canon 1Ds, 70-200mm lens with a 1.4 teleconverter, at 1000 ISO.

Written on August 1st, 2011 , Image of the Day

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Through the lens with Chris Gamel

Musings of a photographic educator.