Last week I completed a journey that started many months ago.  In every field there are certifications that attest to your skills.  In the case of Apple’s Final Cut Pro software (film editing for anyone who doesn’t know), Apple provides several levels of certification.  The first level (becoming an Apple Certified Pro, Level 1) involves a comprehensive test about the ins and outs of the program.  I passed the level 1 test in  July.  From there, I decided to take it a step further.  This past week I attended Apple’s Train-the-trainer (T3) course in Cupertino, CA.  The purpose of this class is the coveted Apple Certified Trainer certification.  Being an Apple certified trainer means I would be able to teach Final Cut Pro classes at any Apple Certified training center.  The class was four intensive days and included lectures, student teaching segments (we each got to teach and were evaluated on how we did), and comprehensive test about Final Cut Pro.  I am happy to say that I passed and now bear the official title of Apple Certified Trainer (Final Cut Pro)!

One question might come to mind, “Who cares?”  Potentially, no one.  I took this course for a variety of different reasons.  First, I teach Final Cut Pro to high school students on a daily basis and the certifications provide a level of credibility.  Like a teaching certificate, software certifications ensure students and parents that I have a good understanding of the programs covered in my classes.  Certifications also act as outward signs of quality and knowledge.  Second, and probably most important, I am a lifelong learner.  I enjoy learning and I see no reason for my learning to stop because I am done with school.  When I find a topic I like, be it photography, video editing, or martial arts I start the learning process and I usually delve deep.  Five years ago I knew nothing about video.  Today I hold professional certifications in video editing and have spent countless hours assisting students in the creation of their own films.

The best piece of advice I can give is to learn to love learning.  Find your passion and commit yourself to becoming a lifelong learner.

Written on December 9th, 2010 , Announcements, Personal, video

Two children lying down photographing a Galapagos Tortoise, Santa Cruz Island, Galapagos.

(click on the image to see larger version)

Want to take better wildlife pictures?  Get down on your knees.  Better yet, drop to your belly.  Day after day, we watch the world pass by from somewhere between five and six feet off the ground.  It is easy to take pictures from here, unfortunately, it is also boring because it is what we see every day.  If you want your shots to stand out, get down to your subject’s level.  If you are photographing a giant tortoise, you should be on your belly.  Who cares if the ground is wet, learn to love the mud.  We’re wildlife photographers!  Dirt is part of the image.  Get down and dirty and get the shot that everyone else passed up.

Shooting from the subject’s eye level creates an intimate connection between us and the subject.  One of the goals wildlife photographers aim for is to get viewers to stop thinking about the physical photograph and move themselves into the picture.  Share my vision, share my experience with this animal.  Meeting a wildlife animal at eye level is a new experience for most people and can result in a shift, making them feel like part of the pack (or the creep in the case of a group of giant tortoises).  So, stop standing around and get down in the mud.  Your viewers will thank you.

The image of the Lucas and Philip photographing the Galapagos Tortoise was taken in the highlands of Santa Cruz Island in the Galapagos, Ecuador during one of my Galapagos photo tours.  Despite the fence seen in the background, the tortoise was a free ranging, wild tortoise.  The image was created using a Canon 1Ds mark 3, 17-35mm lens, at 400 ISO.  The camera was mounted on a Gitzo tripod using a ballhead.

Leopard sleeping in a tree, Serengeti National Park, Tanzania.

(click on the image to see larger version)

I love capturing closeup images of wildlife that show the little details.  Sometimes, however, it is a good idea to step back and go for the big picture.

This leopard was photographed in Serengeti National Park during a wildlife photo safari.  The image was made using a Canon 1D mark 4, 500mm IS lens with a 1.4 teleconverter, at 400 ISO.  The image was shot from a vehicle and a beanbag was used to support the lens.

Written on December 6th, 2010 , Africa, Image of the Day, Tanzania

Three elephants at sunset, Tarangire National Park, Tanzania.

(click on the image to see larger version)

What is the best way to increase your chances of capturing the perfect wildlife photograph?  Simple, you need to be where the animals are.  This means being in the field when the animals are active, which means getting up early and staying out late.

I am not a morning person.  Given the choice, my morning wouldn’t start until 9 o’clock.  Unfortunately, wildlife photography does’t give me that option. Animals are active during the early and late hours of the day, so that is when I need to be out there.  If you want to capture good wildlife images, you have to be the first one out there and the last one to go home.

This image was captured right at sunset in Tarangire National Park, Tanzania.  The image was created using a Canon 1Ds mark 3, 24-70mm lens, at 400 ISO.  The image was shot from a vehicle and the camera was supported with a beanbag.

Elephant exploring a tree trunk with its trunk, Serengeti National Park, Tanzania.

(click on the image to see larger version)

School is for kids.  This is a sentiment that I often run into when talking to adults.  I understand the desire to be out of school, after all I spend the better part of my first 30 years in classrooms and it was a relief to be done.  Yet, it is currently 6:30 in the morning and I find myself in Cuptertino, CA getting ready to start another day of classes.

How does this relate to photography?  As a photographer you can’t get complacent in your knowledge.  There are always new techniques to try, new equipment to investigate, and new approaches to explore.  Sure, we all have preferences.  I like the look long lenses give me, but I still play around with wide angle lenses.  My images tend to reflect what really happens, a sort of record of the real world, but I also create surrealistic HDR images that look like they are from another world.  The idea is to constantly explore what is possible and see how you might incorporate it into your own work.

The biggest example of this type of change was the transition from film to digital.  Many film photographers moved into the world of digital with hesitation, myself included.  Yet once we got here, we discovered a virtual playground unlike anything we had ever seen.  Was the move scary?  Yes, but the payoff has been amazing.

On an individual scale, take a look at Art Wolfe, one of the best known wildlife photographers in the world.  Art has been producing wildlife imagery for over 40 years and is well known for a specific style.  Yet, if you have followed his work throughout his career, his style and the types of images he produces has changed.  Early on, Art was well known for his clean, simple wildlife portraits taken with telephoto lenses.  Then, we saw a transition to blurred imagery and patterns.  Later still, Art shifted to using more wide angle lenses which he used to create animalscapes (wildlife images that include the environment).  Do you like one phase of Art’s career more then the others?  Probably.  The point is that Art did not settle for a single approach or technique.  He continued to explore and challenge himself to produce better photographs despite his previous success.

I am not suggesting that you rush out and follow Art Wolfe’s career path verbatim.  Instead, all photographers should constantly be on the lookout for ways to expand their knowledge beyond its current range.  My personal area of exploration is video.  Over the past 5 years I have gone from being completely ignorant about video to teaching courses on the subject.  In fact, the course I will be attending in just a few hours is Apple’s Final Cut Pro T3 course which, assuming I pass the test, will certify me to teach Final Cut Pro at Apple’s certified training centers.

What are your photographic dreams?  Given the choice, what type of images would you like to create?  How are you going to get started?  Answer these questions and then go out and see what you can do.  Good luck.

The image was created during a wildlife photo safari in Serengeti National Park, Tanzania.  The image was shot with a Canon 1Ds mark 3, 120-300mm Sigma lens, at 200 ISO.  The image was shot from a vehicle and a beanbag was used to support the lens.

Written on December 2nd, 2010 , Africa, Photography Information, Tanzania

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Through the lens with Chris Gamel

Musings of a photographic educator.