Chipmunk with leaves in its mouth sitting on a rock, Utah.

(click on the image to see larger version)

Mention wildlife photography and most of us think of the charismatic megafauna (lions and tigers and bears, oh my!).  These are great photographic subjects and if you get the chance to photograph them, go for it.  What we tend to forget, however, is that smaller species are also wildlife and often much more available.

Photographing the little guys offers a couple advantages to the interested photographer.

  • Smaller wildlife is usually close to home, so there is no need to travel to the ends of the earth to create a wildlife photo (just make sure you don’t tell my wife that).
  • Your audience often knows the smaller animals because they see them around their homes.  This helps them form a personal connection with your subject and helps you make a similar connection.
  • Lets face it, we have all seen images of the huge predators, but when was the last time you saw a picture of a fishing cat?  How about a platypus?  Because they are less photographed, the smaller animals have a way of capturing out imagination in a way that is different then the big guys.  Also, it is easier to create a unique capture of these little guys (when there aren’ many images out there, every new shot is unique).

During one of my photographic trips to central Utah, I had the opportunity to photograph mule deer and I successfully photographed a few.  My favorite pictures from the trip, however, were of the little guys.  The marmots playing in the rocks, the small birds perched in the pine trees, and the little chipmunk you see above.  While waiting for something “exciting” to happen, this little guy hoped up onto the rock and struck a pose.  I was waiting for deer, but I didn’t miss the opportunity.  This shot has since found its way into my teaching collection, being shown to hundreds of students.  None of the mule deer shots made that cut.

The image was made using a Canon 1Ds, 600mm IS lens with a 2.0 teleconverter, at 200 ISO.  The image was captured from a car with the lens resting on a beanbag for support.

Written on November 11th, 2010 , Photography Information

Eagle Owl closeup, wildlife rehab bird, raptor, Rapid City, South Dakota.

(click on the image to see larger version)

The next time you’re out taking pictures, ask yourself an important question, “What am I taking a picture of?”  It sounds simple, but we hardly ever stop long enough to really think about the answer.  But the answer is extremely important.  As photographers, we are constantly scanning the world around us in search of things to photograph.  When something captures our attention, we pull out the camera.  Too often, however, the resulting photograph falls short.  The problem is our eyes.  The human eye is amazing.  Without conscious thought, our eyes can focus on one thing while ignoring everything else.  The camera doesn’t do this, which causes our pictures contain too much information.

How do we overcome this challenge?  Again, the answer is deceptively simple: determine what you are photographing and don’t include anything else.  Easy to say, harder to do.  One of the best techniques I have found was given to me by fellow nature photographer John Shaw.  John’s suggestion is to describe the subject of the image in words.  Actually stop and say the words.  It might sound silly, but it works.  If your image is best described as, “a picturesque shot of a variety of wildlife as they wander through the trees and fields on their way to the lake at the base of the mountain,” then you probably don’t have a very strong image.  You are trying to include too much in a single frame, causing your viewer to get lost in their search for a focal point.  I will be the first to admit that wildlife, trees, fields, lakes, and mountains are all excellent photographic subjects, but don’t they each deserve to star in their own image instead of sharing the spotlight?  The idea is to simplify the picture to its bare essences.  When you describe the subject, it should only take one or two words.  Anything else is a distraction.  Like the description, the image itself should contain no distractions.  If it is not your subject, remove it from the frame.  You can always include it in the next picture.  One of the main jobs we have as photographers is to bring order out of the visual chaos that surrounds us.  Isolating the subject helps to clarify our visual message and makes the viewer want to see more.

The owl photograph above is a perfect example of a clear, simple subject.  When asked to describe it, two words come to mind, “Eagle Owl.”  Nothing more, nothing less.

The image was created using a Canon 1D mark 2, 120-300mm Sigma lens, at 250 ISO.  The lens was mounted on a Gitzo carbon fiber tripod with a Wimberly tripod head.  This Eurasian Eagle Owl was part of a wildlife rehab center’s educational program.  The bird had been permanently injured and could not be released back into the wild.  It was living out its remaining days as a spokes person (or is that a spokes bird) for raptors everywhere.

Brown bear standing in the water looking for salmon, Katmai National Park, Alaska.

(click on the image to see larger version)

Bears are fun to photograph.  Seeing bears in the wild is an amazing experience, and trying to capture their strength and power is a constant challenge.  These enormous creatures spend hours running through deep water chasing salmon without any signs of tiring.  It is an fantastic spectacle to watch, made even more amazing by how often these giants are successful (note the blood on the bear’s muzzle).  In this particular image, I wanted to emphasize the bear’s size and strength, so I lowered myself almost to ground level before capturing the image.  The low camera angle made the bear look larger (as if that were needed) and more imposing.

The image was created using a Canon 1D mark 2, 500mm IS lens, at 200 ISO.  The lens was mounted on a Gitzo carbon fiber tripod with a Wimberly tripod head.

Written on November 8th, 2010 , Animal Behavior, Image of the Day

This week’s photo assignment is to record an event.  It can be any type of event, but the key is to tell a story through your images.  Full coverage is what you are after, but it helps to pick a focus point for the story.  In most cases, the idea is to follow a single person through the event and hare their experience with the audience. Remember, you were there, but your viewers might not have that advantage.  It is up to you to record the event as it transpires, but also to create a sense of place.  What was it like?  What happened?  Do the images make me wish I was there?  These are the questions your images need to address.

My sample images were taken at my daughter’s youth triathlon this past weekend.  This was Kara’s first triathlon and I wanted to catch it on film (or digital sensor as the case would be).  This is only sampling of the images I captured (I ended up with 141 images taken over an hour period), but it should help to see the variety of images that are possible.  Good luck as you look to record your own event.

(click on the images to see larger versions)

Written on November 5th, 2010 , Photo Assignment

Leopard sitting in a tree, Serengeti National Park, Tanzania.

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Composition is one of those words that strikes fear in photographers.  Ask us to explain composition and we are quick to mention the rule of thirds.  Beyond that, we tend to get into trouble.  We are great at identifying which pictures we like, but fall short when it comes time to answer that key question: Why?  Yet an understanding of composition is essential if we want to consistently create images with impact.

Once we take away all the jargon, composition is simply how subjects are organized within the frame.  Should I put the leopard on the right or left side?  Which way should the head be turned?  Should I include the tree?  All of these questions are about composition.  The so called rules of composition are simple guidelines about what usually looks good.  In this Elements of Composition series I will look at, and discuss, several of the common rules of composition that are used in wildlife photography.  So, lets get started by taking a closer look at lines.

Lines are one of the most powerful elements of composition, and yet are often overlooked when setting up the shot.  Look around, lines are everywhere.  From the panes of a window frame to the branches of a tree, lines define many of the shapes we encounter.  Photographically, lines help to guide the viewer’s eye as it travels through the frame.  No matter which direction our eye is moving, encountering a line makes us want to follow it.  On a subconscious level we want to know where it leads.  Using this knowledge, photographers can use lines to led the viewer to a specific destination.  Put a strong line in an image and we are guaranteed to guide the viewer.  Just make sure they are being guided to something worth seeing.  In the image above, for example, the line of the tree trunk leads the viewer to the leopard sitting in the fork.  While I am sure the viewer would have gotten there eventually, the line help move them there much more quickly.

Lines create avenues along which our eyes move.  As photographers, it is our job to utilize those avenues in creative ways.  Now it is your turn.  Find a line and position it to lead somewhere worthwhile.  You might be surprised with the result.

The leopard was photographed in Serengeti National Park, Tanzania during an wildlife photo safari.  The image was created using a Canon 1D mark 2, 500mm lens with a 1.4 teleconverter, at 200 ISO.  The image was captured from a vehicle and a beanbag was used to support the lens.

Closeup of a male lion lying down in the grass, Serengeti National Park, Tanzania.

(click on the image to see larger version)

I arrived home from work yesterday evening and promptly collapsed on the couch.  The past few weeks have been productive, but also exhausting and it has taken a toll.  I took a recovery day off from work and did my best to build up some energy for the remaining weeks of this semester (three weeks till Thanksgiving break!).  This evening I’m still a little tired, but feel more alive then I have for the past two weeks.  It is amazing what a lot of sleep can do.  So, why do I bring this up?  It’s my long winded excuse as to why my blog posting has been limited over the past few weeks.  Tomorrow I expect to be back to my normal schedule and I’ve got some new blog posts in the pipeline.

Thanks for your patience and look for a new post on Thursday.

This massive male lion was photographed during an African photo safari in Serengeti National Park, Tanzania.  The image was taken using a Canon 1Ds mark 3, 500mm IS lens with a 1.4 teleconverter, at 200 ISO.  The image was captured from a vehicle and a beanbag was used to support the lens.  The lion was lying right next to the road and our approach did nothing more then briefly make him open his eyes.

Written on November 3rd, 2010 , Africa, Personal, Tanzania

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Through the lens with Chris Gamel

Musings of a photographic educator.