Panoramic image of cliffs at sunset on Santiago Island in the Galapagos.

(click on the image to see larger version)

Cameras make rectangular pictures.  They can be vertical or horizontal rectangles, but they are still rectangles.  As photographers, it is easy to fall into the trap of thinking that all images must follow this format.  Sometimes, however, it is better to break away from our self imposed limitations and try something different.

On Santiago Island in the Galapagos, I saw these beautiful cliffs just before the sun dropped below the horizon.  The light was beautiful, but there was a problem.  Traditionally, wide angle landscape images work best when you combine a foreground and background element.  A large plant, or flower in the foreground can help to anchor the image and provide a sense of depth.  In this case, there was nothing to place in the foreground.  The beach was flat sand and the nearby rocks were devoid of character.  Changing to a longer lens was not an option because it would cut out part of the cliff.  After a few moments, I decided that the image I wanted to create was about the light on the cliffs and anything else would be a distraction.

The solution was to think beyond the initial capture and realize that I could alter the aspect ratio during post production.  No set rectangles for me.  I captured the image including too much both above and below the cliffs.  Once the image was in Adobe Lightroom, I applied a panoramic crop to both the top and bottom, removing those portions.  The final image capturs the beauty of the cliffs while successfully removing distractions.

The image was created using a Canon 1Ds mark 3, 17-35mm lens (set to 28mm), at 800 ISO.  The camera was handheld.

Chris Gamel Photography's Photo safari group in the Galapagos.

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I am happy to report that Ecuador and the Galapagos have survived another invasion by trigger happy photographers.  Four families, four guides, fun stories, and thousands of images help to define a truly outstanding adventure.  Thank you Kyp, Kate, Bernadette, Gary, Calli, Marcy, Glenn, Lukas, Sarah, Margot, and Phillip.  I had a great time and hope you went home with lots of pictures and memories.  Stay tuned for more Galapagos images over the next few weeks.

The above image was made using a Canon 1Ds mark 3, a 17-35mm lens (set to 25mm), at 400 ISO.  The camera was handheld.  After taking a traditional group shot, we decided to have a little fun.  Since this was a photography adventure, I wanted to emphasize the cameras, so I had everyone squeeze together and point their cameras at me.  The final step was to frame the group tightly (sorry for those of you who got cut out) to keep the viewer engaged.

Written on August 11th, 2010 , Announcements, Galapagos, Image of the Day, Trip Report

Female lion (lioness) walking between two Landrovers in Ngorongoro Crater, Tanzania.

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The following is an e-mail from Rob Fiocca, a Canadian based commercial and food photographer who attended my Tanzanian Photo Safari (and yes, Rob is one of the people in the Landrover shown above).

Dear Chris:

Our recent photo safari together in Tanzania was one of the best experiences in my life.    Meeting the Tanzanian people especially our guides Kileo, Robert chama and the crazy Mohamed.  Starting with the nature refuge onto Northern Serengeti, Central Serengeti, the spectacular Ngorongoro Crater and into Tarangire National Park.  The witnessing of animal behaviour was one of the most fascinating parts of the trip.  The sounds of the animals howling and singing at night almost as if it were a symphony of sounds from the hyenas to hippos to lions, wildebeest, etc.

In terms of the photographic part of it, it was a pleasure spending our trip with you.  You were extremely hospitable, available at all times to answer questions, to help guide us in our quest to achieve the perfect photograph.  You were always trying to help us technically when we needed the help.  You had a wonderful knowledge of animals and birds which helped us understand their behaviour.  In short, we could not have asked for a better photographic guide.  I hope that we will have another opportunity to be on another safari together, so please keep us informed of your adventures in the future.

All the Best,

Rob Fiocca

Written on August 6th, 2010 , Africa, Tanzania, Testimonials

Galapagos giant tortoise eating grass closeup, Galapagos, Ecuador.

(click on the image to see larger version)

On rare occasions, you will have the opportunity to get extremely close to wildlife.  When this occurs, rejoice, get your pictures, and then try to think outside the box.  How can you take advantage of this rare opportunity?  What kind of images can you capture that will stand out from what others are doing?  The Galapagos archipelago is an amazing destination because of the unique wildlife that occurs there, but also because of the total lack of fear exhibited by the animals.  When visiting these islands, it is possible to sit down within inches of animals which continue to go about their lives as if you were not there.

So, how can you challenge yourself to do something different?  During my last visit, I did a lot of my wildlife photography using a wide angle lens.  Most of the time wildlife images are created with long lenses which provide the extra reach needed to give the appearance of closeness.  I admit that I love telephoto lenses and often state that my view of the world starts at around 300mm.  Still, telephoto lenses do have a characteristic flattening effect which produces a particular look.  Switching to a wide angle lens not only includes more of the animal’s habitat, thereby recording something different, but also produces more roundness to the subject in the final image.  Basically, wide angle lenses do a better job of giving photographs a sense of depth.

In the image above, I was able to approach to within a few inches of this 300 pound Galapagos Tortoise.  Heck, I could have sat on him if I had wanted to.  After getting the obvious shots, I decided to try something a little different.  I switched to my wide angle lens (17mm) and set the camera on the ground right in front of where the tortoise was eating.  Each time the tortoise extended its head to grab some grass, I pressed the shutter button.  After only a few minutes, the tortoise had cleared most of the grass away from the area in front of my lens and I had captured a unique perspective.

The image was created using a Canon 1Ds mark 3, 17-35mm lens, at 800 ISO.  The camera was placed on the ground directly in front of the Tortoise and the shutter was pressed each time the neck was extended.  As you can see, the head eventually moved inside the minimum focus distance of the lens, but I think the unique angle and in close action more then compensate for the soft focus.

Written on August 4th, 2010 , Galapagos, Photography Information

As many of you know, the logistics of my Tanzanian photo safaris are handled by Thomson Safaris.  I recently had a guest post on their blog entitled “Tips for better wildlife photography.”  Check it out and let me know what you think.

Written on August 2nd, 2010 , Announcements

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Through the lens with Chris Gamel

Musings of a photographic educator.