As photographers, we have limited time to spend on photography.  Even with no logistical restraints, there are only 24 hours in a day and 7 days in a week.  Given these limitations, it becomes important for us to acknowledge an important point, not all photographic subjects are created equal.  With limited time available, it is beneficial to evaluate potential subjects and focus our efforts on those most likely to create the images were are after.  Note that I do not say we have to focus on the prettiest subject (though that often is where our attention goes).  Rather, as photographers we must make decisions about the purpose of the photograph and then select our subjects so as to maximize the image’s impact.  If the message is about the beauty of nature, then a beautiful flower will better tell the story then a wilted one.  If, on the other hand, the image’s purpose is to showcase the exploitation of natural resources, a harsh, barren landscape might better serve.

Lets look at an example using the two ostrich images below.  Both images depict ostriches on the savannah.  The first shows a female ostrich sitting among a field of flowers.  The second, a male in full breeding plumage.  I like both images and often include both in slideshows.  I don’t for a moment, however, fool myself into thinking that they have the same level of impact when viewed.  When comparing the two, the image of the male stands out dramatically because of its color and posture.  The female, while beautiful in her own right, is much less impressive when compared to the male.  So, how as a photographer should I devote my limited time between these two subject?  Ideally, I would spend time shooting both (which I obviously did).  If time was limited, however, I would focus my attention on the male as he is the more dramatic subject, and is more likely to produce an image with impact.

When out photographing, remember that your time is limited, and all subjects are not created equal.  How will you choose to spend your time?

Female ostrich sitting in yellow flowers on the savannah, Serengeti National Park, Tanzania.

Male ostrich in breeding plumage standing on the savannah, Ngorongoro Crater, Tanzania.

(click on the images to see larger versions)

The image of the female ostrich (top image) was captured using a Canon 1D mark 2, 500mm IS lens, at 400 ISO.  The image was shot from a vehicle and a beanbag was used to support the lens.

The image of the male ostrich (bottom image) was captured using a Canon 1D mark 2, 500mm IS lens with a 1.4 teleconverter attached, at 200 ISO.  The image was shot from a vehicle and a beanbag was used to support the lens.

Closeup of a gull calling on North Seymour Island in the Galapagos, Ecuador.

(click on the image to see larger version)

Sometimes the best thing you can do when photographing wildlife is to wait for something to happen.  It is amazing how often patience pays off.

The image was crated using a Canon 1D mark 4, 120-300mm Sigma lens with a 1.4 teleconverter attached, at 400 ISO.  The lens was mounted on a Gitzo tripod with a ball head.

Written on August 30th, 2010 , Galapagos, Image of the Day

As a photography teacher, I am constantly searching for themes around which I can base assignments.  In the interest of sharing my ideas and assisting other teachers out there, I am introducing the weekly photo assignment.  Each Friday I will post a new photographic challenge to keep either yourself or your students busy.  In some cases, the themes will be my own concepts while others will be from viewing the work of other photographers (with appropriate credit given of course).  In each case, I will try to include a number of examples to help clarify the concept and hopefully stir the creative embers.  With that, I give you the first weekly photo assignment: The Rule of Thirds.

Rule of thirds layout

The Rule of thirds is a foundation of photographic composition.  Imagine two horizontal lines and two vertical lines breaking up your image (like a tic-tac-toe grid shown above).  Where the lines intersect each other (the red dots) are the image’s points of power.  To apply the rule of thirds, move the most important parts of the image off center and place it directly under one of the points of power.  Check out how the images below each utilize the rule of thirds, then grab your camera and see what you can do.  Good luck.

(click on the images to see larger versions)

Written on August 27th, 2010 , Photo Assignment

Photographer Chas (Charles) Milzo sharing digital images with Massai children, Ngorongoro Conservation Area, Tanzania.

(click on the image to see larger version)

Below is a testimonial from Chas (Charles) Millen, a talented amateur photographer from Australia who recently attended one of my Tanzanian Photo Safaris.  The image above shows Chas sharing a digital video with a group of Massai children during a visit to their boma.  The kids had seen digital images before, but it was clear from their reactions that video was something new.

Dear Chris,

After signing up for your photo safari in Tanzania I was extremely excited about what was in store for me.  This was to be my first ever time photographing wildlife on a large scale!

From an overly enthusiastic amateur photographer’s point of view, you were a huge help for me in the early stages of preparation for the trip & also during the trip.  Offering me advise on appropriate gear that would yield me the best results possible & optimal camera settings to improve my chances of capturing those amazing moments that we saw so many of.  I had such a rewarding time in places like the Serengeti, Ngorongoro Crater & Tarangire National Park.  With so much wildlife, it really gave me the opportunity to grow as a photographer & learn some new skills to push my abilities further.

Upon finishing my safari with you Chris you will recall me saying how much I wanted to return for another safari in the future.  It was a truly amazing experience, complimented by an amazing support crew of charismatic guides, friendly camp staff & amazing food at the end of each action packed day of wildlife photography.

Every day was an adventure & I saw something amazing on every single one of those days.

Thank you for the great experience Chris & I hope to head out on safari with you again in the future.

Yours Sincerely,

Charles Millen

Australia

See some examples of what I was able to achieve on safari with Chris by checking out my Flickr page.

Written on August 26th, 2010 , Africa, Tanzania, Testimonials

Great Egret in breeding plumage flying over water with a reflection, Venice Rookery, Florida.

(click on the image to see larger version)

Do your pictures match your memories?  Do the buttons on your camera intimidate you?  Does the word Photoshop cause you to break into a cold sweat?  Then this is the class for you!  Join me at the Austin School of Film in Austin, Texas for my upcoming class: Introduction to Photography & Photoshop.  This two day course (October 17 & 24: 10am – 4pm) focuses on developing a photographic foundation and an introduction to the tools and techniques of Adobe Photoshop.  Each student will be provided with their own workstation during the Photoshop portion of the course.  All levels are welcome, from the beginning photographer who wants to learn what their camera can do to the more experienced who want to take their images to the next level.  For more information and to enroll, click here.

Written on August 25th, 2010 , Announcements, News and Notes, Photography Classes

Closeup portrait of a cheetah, Serengeti National Park, Tanzania.

(click on the image to see larger version)

This post marks the beginning of a new editorial schedule entitled Technique Tuesday.  Each Tuesday, I will post a photographic tip or suggestions with the goal of develop your understanding of photography and the skills necessary to create the pictures you want.

This week we will begin with a simple concept that has resulted in some of my best images: fill the frame with something interesting.  Everywhere we look, potential photographs exist.  Too often, however, we include too much and the resulting image lacks focus.  Viewers become confused about our message and loss interest.  The solution?  When you find a subject, fill the frame with it.  Cut out everything but the subject.  If it is a person, get up close and personal until their face is all you see (make sure they are OK with this before you try).  For wildlife, pull out the telephoto lens and creep forward as close as possible.  Getting closer, either physically (move those legs) or optically (pull out the telephoto lens) helps eliminate the distractions and focus all of the attention on your subject.  This is not to say that you should never include the surroundings as part of the photo, but include them because they are important, not because you got lazy and didn’t fill the frame.

The above image of a Cheetah was captured in the Northern part of the Serengeti, Tanzania.  The image was created using a Canon 1D mark 2, 500mm IS lens with a 2x teleconverter attached, at 500 ISO.  The image was made from a vehicle and a beanbag was used to stabilize the lens.

Closeup of a Blue Footed Boobie starring at the camera, North Seymour Island, Galapagos, Ecuador.

(click on the mage to see larger version)

North Seymour Island in the Galapagos is a bird photographer’s paradise.  Trails wind around the island, bring you close to numerous birds, including blue footed boobies, frigate birds, and gulls.  As I wandered around the island, this blue footed boobie took an intense interest in my passing.  I wonder what was going through his head as I passed?

Image was captured using a Canon 1D mark 4, 120-300mm Sigma lens with a 1.4 teleconverter attached, at 400 ISO.  The camera was mounted on a Gitzo tripod and ball head for support.

Written on August 23rd, 2010 , Galapagos, Image of the Day

Teenage girl sitting with a Galapagos seal lion, North Seymour Island, Galapagos.

(click on the image to see larger view)

This image was captured during a recent Galapagos trip.  As I came around a bend in the trail, I encountered Calli sitting close to this Galapagos sea lion in what looked like a casual conversation between friends.

The image was made using a Canon 1D mark 4, 120-300mm Sigma lens, at 400 ISO.  The camera was handheld and the final image was cropped into the panoramic format.

Written on August 19th, 2010 , Galapagos, Image of the Day

Prickly pear cactus spines at sunset, Santa Cruz Island, Galapagos.

(Click on the image to see larger version)

Good images are not always obvious.  We are constantly bombarded by visual stimulus and trying to include too much is the death stroke for many photographs.  As photographers, we are best served by sticking to the KISS principle.  To do that, it is helpful to break image concepts down before pressing the shutter button.  When a subject first presents itself, I try to figure out what attracted my attention.  OK, I admit that isn’t entirely true.  Most of the time, when a subject presents itself, I blast away with the shutter as fast as possible.  After all, wildlife has a distressing habit of popping up briefly and then disappearing.  Therefore, my first order of business is to capture the image.

After my record shot is complete, I try to step back and break down the image concept.  Why was I attracted to this subject?  Was it the light, the shape, the personality (yes, even lizards show personality)?  Once I find a suitable answer to these questions, I try to figure out a way to photograph the subject so as to emphasize that quality.  Ideally, the result is simple and clean.

The above image was created using a Canon 1D mark 4, 120-300mm Sigma lens with a 1.4 teleconverter attached, at 400 ISO.  The camera was handheld.  The concept for this image began when I noticed the strong backlighting on several prickly pear cactus.  The idea of a silhouette immediately sprang to mind, but I was having a difficult time finding a clean cactus outline (a spiny Mickey Mouse would have been perfect).  Failing in my search, I decided to break the big picture into smaller pieces by concentrating on the backlit spines.  By exposing for the spines, the backlit cactus and the shaded background went black, creating an obvious, yet abstract image that captures the essence of the light, which is what drew my attention in the first place.

Closeup portrait of a marine iguana on Santiago Island, Galapagos.

(click on the image to see larger version)

The Galapagos is a wonderful place to experience wildlife up close and personal.  This image is an example of what can be done with a medium telephoto lens, a low camera angle, and a desire to create a strong image.

The image was created using a Canon 1D mark 4, 120-300mm sigma lens with a 1.4 teleconverter attached, at 1250 ISO.  The camera was placed on the sand for extra support.  I have been constantly amazed at the image quality of the mark 4 at high ISO settings (no noise reduction was applied to the image).

Written on August 17th, 2010 , Galapagos, Image of the Day

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Through the lens with Chris Gamel

Musings of a photographic educator.