Female elephant drinking and splashing water in a river.

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Patience is one of the most important qualities for good wildlife photography.  Patience is not just required because it takes time to locate wildlife, but because the best pictures are rarely made in the first few moments.  Good wildlife images require a considerable amount of time.

The above image was captured after almost two hours of waiting.  In the northern Serengeti, we watched a larger herd of elephant approach a river.  They appeared to be looking for a good place to cross.  Being on the opposite bank, we followed them as they moved through the dense brush along the shoreline.  It wasn’t until an hour had passed that we got our first real photo opportunity, and that consisted of a female freaking out when she realized there were some really ugly primates hanging out at the far shore (that would be us).  That photo-op lasted a good 3 seconds.  After her initial scare, the entire herd remained in the bushes for another 45 minutes as they tried to figure out if it was safe to come out.  It wasn’t until a mother got fed up with the situation and braved the river with her young calf.  After this first successful crossing, the others decided it was safe and slowly began to cross.

It was at this point that the real photography started.  Everything leading up to this was preparation for the big event.  Of course a good river crossing picture should be more then an elephant standing in the water.  Unbeknownst to many people, elephants do not drink water through their trunk.  Instead, they suck water into the trunk and the spray it into their mouth.  This can lead to great images when an elephant decided to get a little silly and “play with its food.”  This female was obviously hot and needed  a drink (hiding in the bushes for almost an hour will do that), but she decided to have a little fun.  Rather then just drinking, she would spray the water into her mouth at full blast, sending water in every direction.  The result was a great photographic opportunity that took two full hours to develop.

So, what is the point?  Almost anything can be turned into a good photography, but not at any given moment.  Next time you come across  an interesting subject, give yourself the time to watch events unfold and have your finger on the shutter button.  You never know what will happen.

Image was created using a Canon 1D mark 4, 500mm lens, at ISO 200.  The image was captured from a vehicle with the lens supported on a beanbag.

Tanzania photo safari tent interior in HDR (high dynamic range).

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I am often asked about the accommodations while on safari.  We stay in a combination of safari lodges and nyumbas (tent camps).  As you can see in the image above, the nyumba experience provides a level of luxury while still offering the true bush experience (wildlife commonly walks through the camp).

Image was created using a 1Ds mark 3, 24-70mm lens (set to 24mm), at 200 ISO.  The camera was placed on top of my camera bag and a cable release was used to trigger the shutter.  Three separate exposures were captured and then combined together using Photomatix software.  Final touches were then added in Adobe Photoshop.

Written on July 9th, 2010 , Africa, Image of the Day, Tanzania

Thomson Safari Landrover next to a female lion.

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I am often asked how close we get to wildlife in Africa.  I think this image says it all.

Image was created using a Canon 1D mark 4, 120-300mm lens with 1.4 teleconverter, at ISO 400.  The image was captured from a vehicle with the lens supported on a beanbag.

Written on July 8th, 2010 , Africa, Image of the Day, Tanzania

Two male lions fighting over a female lion.

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While it is certainly possible to walk around and luck out with a great photo opportunity, the best images are usually the result of knowledge and planning.  The shot above was taken in Ngorongoro Crater, Tanzania and shows two male lions fighting over a female.  Without a knowledge of animal behavior, it is unlikely that I would have been able to capture this image.

During our drive around the crater, we came across a group of four lions, two females and two males.  As usual, the lions were pursuing their favorite activity, sleep (they sleep over 20 hours a day).  When we arrived, the two females were resting at the top of a hill and the males were down near the water’s edge.  After getting the standard images of sleeping lions (there is only so much you can do with a sleeping cat), we decided that the best photo opportunity was going to be down by the water.  This decision was based on a few considerations.  First, it was a warm day and it seemed likely that the females would eventually come down to drink.  Second, even if the females stayed on the hill, male lions are visually more impressive and usually make better photo subjects.  Third, there was the hope that the females would want to interact with the males.

We positioned ourselves with a good view of the males and it wasn’t long before the first female got up and started to move in our direction.  Lions are social animals and often interact with each other.  Interactions are particularly likely when a new lion approaches.  As the female approached, we got ready to record the interaction between her and the males.  Unfortunately, the action was brief and anticlimactic.  The female walked over to the first male (the second male never even looked up), sniffed him once, and then lay down.  Ah well, so much for planning.

It wasn’t until the second female arrived that the action started.  Once again we were prepared as the female approached, but this time was different.  As the first male approached her, the female rushed right past him and headed directly for the second male (who was still sleeping and not aware of what was about to happen).  Needless to say, the first, and obviously alpha, male did not like the situation.  As the female  reached the sleeping male, the alpha male jumped between them and snarled.  This got the desired response with the second male jumping to his feet and rapidly moving in the other direction.  In the image above you can see the female’s snarl as she expresses her opinion of the events.

Knowledge of your subjects greatly improves your chances of creating powerful images.  Is it possible that we would have captured some of the action without predicting the behavior?  Yes.  It is unlikely, however, that we would have been in such a good location (there were 10 other vehicles jockeying for position) or that we would have captured the entire sequence as it unfolded.  Also, there is something profoundly satisfying about pre-visualizing an image and then watching it present itself before your eyes.

So, what what about you?  Have you ever predicted an event before it happened and used that knowledge to set up the shot?  If so, share your story.

Candle burning at twilight in Tarangire National Park, Tanzania

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Not all light is the same color.  Take sunlight for example.  Throughout the day, sunlight changes colors.  Before the sun rises, it throws a deep blue across the world.  As it breaks the horizon, it is transformed into yellows and fiery reds.  As the day progresses, it shifts from yellow to a slightly blue tint until, at the day draws to an end, the color shift reverses itself back to a deep blue.  This color shift is something we take for granted.  Sunsets give us pretty colors.  Light in the middle of the day is harsh and doesn’t provide the rich colors photographers crave.

What most people forget, however, is that all light produces different colors.  While daylight is often cool (blue), indoor lights tend to be relatively warmer (red/yellow) and florescent lights are green.  Of course, our eye is remarkably good at “fixing” the colors we see.  If we look at a piece of paper at twilight, our brain knows that the paper should be white, and our eyes see it as white.  It is only by really concentrating on the colors that we begin to see what is really there.

What does this have to do with photography?  The color of light has a dramatic impact on our photographs because the camera does not correct color.  It records the color of light as it is, not as our eyes and brain interpret it.  The result is both frustrating (the image doesn’t look like I thought it would) and full of creative opportunity (look at these cool colors).

Lets look at an example of how this information can be used when creating images.  Returning to my tent during a recent safari, I was walking across the terrace when I saw the candles that had been set up on the tables.  In the distance was the the African savanna at twilight.  This situation had two different light sources, sunlight and candle light, and I though there was some potential to play with how those colors interact.  While the color difference between the two light sources was not obvious (my eyes and brain lying to me), I knew that my camera would see things differently.  By setting the white balance to “daylight” I ensured that the twilight would record as a blue of twilight, while the candle light would register as a warm yellow.  The end result is the image above.

Two male elephants play fighting

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Each safari offers something unique, and this year it was elephants.  We had some great elephant sightings, including a large herd where several of the young males were play fighting.  In a play fight, two males will approach each other from the front and interlock their tusks.  Often their trunks will become intertwined as they push back and forth. The idea is to show how strong you are, thereby settling the dispute, without getting hurt.

In the wild there is often a need to establish dominance, but the risks of a real fight can be high.  What starts as a small injury can become life threatening if it reduces an animal’s ability to hunt and hide.  As a result, most animals have evolved highly ritualized methods of fighting that settle the conflict without injury.  Of course, if the need arrises, the fight can turn deadly.

Image was created using a Canon 1D mark 4, 500mm IS lens, at ISO 400.  The image was captured from a vehicle with the lens supported on a beanbag.

Written on July 5th, 2010 , Image of the Day

June 8, 2010 photo safari group

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Another amazing journey to Africa has come and gone.  I recently returned after spending two weeks in Tanzania with eight photographers.  After careful consideration, we decided that 2010 should be known as the year of the elephant and lion due to the great sightings we had of each animal, courtesy of our outstanding guides Kileo, Robert, and Mohammed (left to right).  Thank you to all who participated, each group is unique and you really do make the trip a memorable experience.

Written on July 3rd, 2010 , Africa, Tanzania, Trip Report

Lioness yawning in Ngorongoro Crater.

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Wow, it has been far too long!  The past six months passed in a blink without me dedicating the necessary time to maintaining this blog.  Let me apologize and say that I will strive to do better in the future.

The image above was taken on a recent Tanzanian safari (you didn’t think I stopped taking pictures did you?).  As we were watching a pride of lions, this female got up and walked along the road towards another female.  As she approached, she paused in a dramatic pose and let off a massive yawn.  I really like the position of her body, especially the curve of the tail.  The small black dots all over her are seed pods that attached to her fur as she walked through some bushes.

Image was created using a Canon 1D mark 4 (my new toy!), 120-300mm sigma lens, at ISO 400.  The image was captured from a vehicle with the lens supported on a beanbag.

Written on July 2nd, 2010 , Image of the Day

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Through the lens with Chris Gamel

Musings of a photographic educator.